art courses, art classes, Italy, France, painting workshops

An ivory tower, as symbol of Mary, in a “Hunt of the Unicorn Annunciation” (ca. 1500) from a Netherlandish book of hours.

Determination, resilience, passion and openness.

Last week, I had a very interesting exchange with another Word Press blogger. In a positive way, I tried to respond to the negativism that he entertained toward the art establishment. His speech reminded me the anarchist political discourse at the turn of the 20th Century. I tried to tell him that in fact, there is, there was and there will always be an art establishment, with its Ivory Towers such as museums, galleries, universities and auction houses. And, yes, they are the ones choosing the artists who will be part of the various art-worlds’ markets. But our blogger kept promoting the same negative discourse without proposing anything new.

We have been in the art field for the last three decades and what makes a specific work of art valuable remains the same. First, the value of a painting is deeply connected to its author’s determination, resilience, passion and openness. If you produce only three paintings a year, are you in the path of becoming a great artist? Certainly not, unless, of course, you are Ron Mueck or the late Alex Coleville, having time only for four works a year.

Secondly, the provenance, the condition, the authenticity, the exposure and the quality are all criteria that the Ivory Towers take into account. But in our case, just a few of us are there… yet. Since our blog addresses mostly traditional landscape artists like you, it does not mean that your works should be of “normal quality”. Why? It is true that we always have to do our best; but what separates a successful painting from one that is normal or typical, will always be the lucidity of concept, the mastery of the medium, the authenticity of expression and this regardless of the work of art being figurative or abstract. We shall never underestimate the potential buyer, who, in a split second, can determine consciously or subconsciously, if one of your paintings is more successful than the others. Of course, we are not the best judges of our own works.

Conclusion? There is an art establishment, and it will stay. That establishment will choose. There will always be “invisible” and frustrated artists for all the reasons mentioned above. When following an art course at Walk the Arts, we always underline these concepts, because we want to make sure that when you will return into your community, you will not be invisible. If you strongly believe in what you do, you will be chosen. Believe in what you paint!

 

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Who are we?

We all make art! It is part of culture. It is deeply rooted in human nature as a way of communicating with others. We all need to tell our stories because it is stories that link us all. We are all one, one creative mind! Though, all unique and equipped with unique ways of expressing ourselves. We live in constant search of that unique liberating voice. At Walk the Arts we aim to facilitate our art makers to explore new territories. Our painting classes and art history trips on three continents are meant to be rounded art experiences among small groups of like-minded adults. We offer an environment that fosters creativity. As we always say, art as religion is just a matter of faith. This blog is about living fully the experience of art, about finding our single artistic path, about the joy of art-making. We believe that making art accessible to all will lead to a betterment of our society.

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“Re-situating” myself

 

Alone in your studio, guided by your intuition, stop, sit down, with your notes in hand, your mindmap on the wall, to gather a feel for the next avenues. I suggest you take a few days to write down a first draft of an artistic statement. It will put some order into your thoughts so as to better clarify them. Be warned, however, that this will not be your final statement, as others will follow.
Set parameters: no more than 500 words, write a seductive title, an incipit (very first line) that hooks; write in the active form. Watch out for repetition and tautology! The more honest you are with yourself, the easier it will be to write this text. The more you hesitate to let go with your art, the harder it will be.

Gray a Philosophical “Color”

 

“Over the past 40 years, I’ve seen students in the process of transitioning from saturated colors to grayed ones, a sign of serious questioning about painting. As a beginner, we shy away from mixing colors, and the more we progress in our creative practice, the more daring we become. That’s life! When we’re children, we only see saturated colors, and as we get older, gray takes over. Adults realize that gray is everywhere. “The color of truth is gray” wrote the French author André Gide.”

We can face Artificial Intelligence

 

How many times were we tempted to fall into the trap of mainly teaching painting techniques now all available on the Net? Just type “How to paint an Italian Landscape” and … two million plus videos jump onto your computer screen.

A First History of NFTs

 

“I think the reason […] I’ve chosen the career that I have is because artists are always the seers or the truth tellers. They show us the way forward”. Nora Burnett Abrams, The Story of NFTs, Artists, Technology, and Democracy. P. 53

The World of NFTs!

 

I had to know if NFT art is and will be a fad or not. In Canada’s national capital (Ottawa) art world, I kept hearing that it is not going to last, it’s all smoke and mirrors, ya-ya-ya, etc. So, I entered the Palazzo Strozzi with an open mind. I saw the works, I read everything on the walls, and I came out of the exhibition thinking “It is here to stay.” From that moment, on la Via de’ Tomabuoni, I felt compelled as an art historian and art educator to embrace this new reality. Didn’t we do it for Pop Art and Conceptual Art in the late ’50s and ‘60s?

My painting workshop in Tuscany

 

Already a month since my return from a fun-filled art-learning experience in Tuscany, Italy! The workshop went far beyond what I even imagined, or hoped it would be. The roughly eight hours per day for most days of art instruction gave me a new perspective on my art: where I was and where I wanted to be, the past and the future. But, together as a group, we were living in the present.

“Perseverance” is the key to all successful artists

 

Perseverance is the key to all successful artists.

I always ask my painting students to memorize … “Until then, we will not rest or falter. Hand in hand with others thirsting for a better life, no matter how long it takes, regardless of support or persecution, we will joyfully respond to a savage need for liberation”.

Studio Italia, a painting vacation with…

 

If our art workshops focused mostly on painting techniques, then why traveling to Italy and spending money when you could stay at home and learn everything you need through the Internet for free?

Art and Neurosciences

 

When a subject becomes familiar, the brain activity shuts down like when viewing a lovely chickadee painting…

Can we talk about the neuroscience of art? This is the question that French neurobiologist Jean-Pierre Changeux addresses in his beautiful book The Beauty in the Brain or La Beauté dans le Cerveau (Odile Jacob, 2016). Prof. Changeux describes how the human brain behaves when making or contemplating a work of art. To make a long story short, he argues that the neural bases of aesthetic pleasure are the product of the link between cognitive and emotional brain functions, in other words, the harmony between reason and emotion. Moreover, he gives some tips on how artists can maximize the impact of their works on their audience.

Evolving in art is just a matter of faith; only believe!

 

We refrain from teaching painting techniques easily found on the Net. We prefer taking the necessary time (36 hours) to fully involve the participant in reflecting on her or his art — including all levels, all media […]
Rest assured that having attended one of our online classes, you will be more confident in taming the landscape in your own way while on a plein-air painting workshop.

Let Go! The Artist’s Way of Cooking


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Ten years ago, here in Tuscany, we decided to write a recipe book but with so many good cookbooks in the market, we needed to propose a new idea. We had to find a modus operandi close to who we are and what we do as visual artists. The answer was in front of us and painting gave it to us: art and color!

Travelling with meaning : a painting workshop in Italy

 

More and more travellers from the developed world are looking for meaningful travels. We are aiming for journeys that allow us to learn something new, to deepen our culture, to enhance our lives. Purpose, inspiration and self-discovery are now vital elements in our traveling choices. Probably, this is why our quality painting workshops offered since 1997, have become more and more popular.

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